I often combine food with portraits. On the surface, this absurd combination appears to reject any sense of reason (an extension of my own twisted sense of humour). However, obscuring the faces of my portraits with food is designed to not only challenge traditional notions of beauty, but also to provoke, tease and confuse the observer.
Photographic series by Thrainn Kolbeinsson of the Geldingadalur volcanic eruption in Iceland.
High saturation and contrast photography set of geese, by Visual Scientist.
Photographic exploration of the relationship between the human, the landscape and the gray line between reality and fiction.
The concrete works of David Umemoto stand as studies about volume. At the juncture of sculpture and architecture, his miniature pieces evoke temporary buildings or monuments standing on far-away lands.
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